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THE BAROQUE GUITAR IN SPAIN AND THE NEW WORLD


THE BAROQUE GUITAR IN SPAIN AND THE NEW WORLD

Autor: Frank Coonce
Trascripción
Instrumento:
Guitarra
Formato: Libro de partituras - 176 páginas
Editor: Mel Bay
Referencia: #130780
Precio: 36,00 Euros
Album de Guitarra
Música Clásica, Académica


Descripción
Contenidos:


A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect of sorting through and learning to use these resources for the first time. For the uninitiated, just knowing where to start can be difficult.

This anthology contains representative selections from the publications and manuscripts of four important Spanish Baroque guitarists: Gaspar Sanz, Antonio de Santa Cruz, Francisco Guerau, and Santiago de Murcia. In addition to being fun and entertaining music for all to enjoy, this collection is intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern guitar.

Difficulty: Intermediate

Contents:

Preface
Acknowledgements
Dedication
1. Evolution of the Five-Course Guitar

· 1.1. Transition from the Vihuela and Four-Course Guitar
· 1.2. Dominance of the Five-Course Guitar

2. Tuning of the Five-Course Guitar

· 2.1. Terms Pertaining to Stringing and Tuning
· 2.2. Different Tunings for the Baroque Guitar
· 2.3. Issues and Opinions on Tuning Practices in Spain
· 2.4. Relevance of Baroque Tuning Practices to Modern Performers

3. Reading Baroque Guitar Tablature

· 3.1. Tablature and Transcription
· 3.2. Punteado Notation
· 3.3. Rasgueado Notation
· 3.4. Mixed Tablatures

4. Interpretation and Performance

· 4.1. Octave Selection and Voice Leading
· 4.2. Punteado Ornaments
· 4.3. Campanelas
· 4.4. Meter and Tempo
· 4.5. Hemiola and Syncopation
· 4.6. Rasgueado Techniques
· 4.7. Rasgueado Ornaments

5. Editorial Procedures

· 5.1. Philosophy and Intent
· 5.2. The Voicing and Notation of Strummed Chords
· 5.3. Editorial Notation

6. Gaspar Sanz

· 6.1–9. La cavalleria de Napoles con dos clarines, Rujero, Paradetas, Folías, Las Hachas, Zarabanda, La Esfachata de Napoles,La Miñona de Cataluña, Canarios
· 6.10–14. Pavanas, Españoletas, Matachín, Villanos, Passacalles

7. Antonio de Santa Cruz

· 7.1–3. Jácaras, Villano, Canario

8. Francisco Guerau

· 8.1–4. Marionas, Villano, Canario, Passacalles in B minor

9. Santiago de Murcia

· 9.1. Resumen de acompañar
La Guastala, Menuet, Preludio in D minor
· 9.2. Códice Saldívar No. 4
Marionas, Fandango, Jácaras, Zangarilleja, Cumbées
· 9.3. Passacalles y obras
Passacalles in G minor, Suite in G Major, Suite in D minor

10. Facsimiles

Selected Bibliography

Music

Gaspar Sanz

· La cavalleria de Napoles con dos clarines
· Rujero
· Paradetas
· Folías
· Las Hachas
· Zarabanda
· La Esfachata de Napoles
· La Miñona de Cataluña
· Canarios
· Pavanas
· Españoletas
· Matachín
· Villanos
· Passacalles

Antonio de Santa Cruz

· Jácaras
· Villano
· Canario

Francisco Guerau

· Marionas
· Villano
· Canario
· Passacalles in B minor

Santiago de Murcia

· La Guastala
· Menuet(s)
· Preludio in D minor
· Marionas
· Fandango
· Jácaras
· Zangarilleja
· Cumbées
· Passacalles in G minor
· Suite in G Major
· Suite in D minor

Facsimile Reproductions

Gaspar Sanz
· Instruccion de musica
Antonio de Santa Cruz
· Libro donde se veran pazacalles
Francisco Guerau
· Poema harmonico
Santiago de Murcia
· Resumen de acompañar
· Códice Saldívar No. 4
· Passacalles y obras



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